The films of Charlie Chaplin reflect the rapid innovations that were unfolding within performance art in the early 20^th century. Chaplin is now hailed as one of the most important actors and directors of the early 20^th century, as his pioneering filmmaking efforts during the silent movie era directly influenced each generation of actors and directors that has followed. Chaplin got his start in front of the camera in the Keystone Studios and starred in several short films while his popularity grew.

Early Acting
Chaplin’s first role was in “Making a Living” (1914), in which he struggled with the transition from stage acting to performing for a camera. His second film appearance, “Kid Auto Races at Venice” (1914), was much more successful, as Chaplin debuted what would become his alter ego, the Little Tramp. The tramp sported his signature derby hat, big shoes, baggy pants, cane and mustache. An instant hit as the tramp character, Chaplin signed on with the studio to produce more than 30 short films starring The Little Tramp. Soon, Chaplin also directing and editing his creations at Keystone Studios.

Producer and Director
In 1916, Chaplin contracted with the film studio, Mutual Film Corporation, for 12 2-reel comedy films. The contract gave Chaplin complete creative control over the films, and he wrote, directed and acted in all of them. Within a two-year span, Chaplin created some of the most progressive film comedies of the silent era, including “One A.M.,” “The Pawnshop,” “The Adventurer” and “Easy Street.” Chaplin created the films quite rapidly, about one per month. Critics note that the Mutual Films projects are considered to be the height of Chaplin’s early film career. The experience he gained in the filmmaking industry paved the way for the longer feature films that would continue his prolific career.

Characterizations
Charlie Chaplin’s early short films are characterized by raw emotion, whether it’s joy, sorrow, anger or fear. Although the films are silent, Chaplin deftly allows the characters to portray the emotion with body language. Many of the early films contain cutting-edge slapstick comedy routines, with elaborate gags that had not been seen on the screen before. Several of the films feature biting satire directed towards the political climate of the day.